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It was with this hit that Domino crossed over from R and B to the pops charts. However, Domino and collaborator Bartholomew shared in the royalties of Boone's recording. White record producers in the 1950s were quick to pick up on the popularity of rhythm and blues for its white singers. Although Domino's version hit number one on the R and B charts, it made it only to number ten on the pop charts for this reason. His success with the recording of this song was somewhat overshadowed by Pat Boone's "cover" version of the same song. Other entertainers performing at Moondog Jubilee included Muddy Waters, Little Walter, the Orioles, and the Clovers.ĭomino took the rock and roll scene by storm in 1955 when he released "Ain't That a Shame," a song that had been previously popularized by cowboy movie star, Gene Autry. In 1954 Domino impressed audiences at the Moondog Jubilee of Stars Under the Stars, promoted by famed disk jockey Alan Freed, at Ebbets Field in Brooklyn, New York. Domino dominated the R and B charts with these and other releases from 1952 to 1959. Several hits followed "The Fat Man." These included "Rockin' Chair," "You Done me Wrong," "Please Don't Leave Me," and the 1952 hit, "Goin Home." The latter reached number one on the rhythm and blues charts in 1952. Dave works on all my recordings and on my band arrangements, and we're together a lot of the time." Then I've got it so I can talk with Dave about He once described to Irwin Stambler, author of The Encyclopedia of Pop, Rock, and Soul, how he and Bartholomew collaborated on their now-famous songs: "When I get an idea for a song, I sit down at that piano and sing it into the tape. Bartholomew, who remained closely involved with Domino well into the 1980s, was a trained musician who perfectly complemented Domino's unschooled but brilliant musical instincts. Bartholomew, a prominent trumpet player and composer, became Domino's producer and bandleader for most of the 1950s and 60s and co-wrote virtually all of the performer's best-known hits. " The record took off, Ward reported, "winning Imperial some prominence in the rhythm-and-blues world and, more important, on its charts.Ĭhudd's Imperial recording label, which focused on unknown rhythm and blues talent from the Deep South, had experienced rapid growth in the years following the end of World War II. Fred Ward, writing in Rock of Ages: The Rolling Stone History of Rock and Roll, said of Domino's first big hit: "What better song to introduce the young singer than the one he opened with…. The song became Domino's first big rhythm and blues hit and is considered by many music industry observers to be the first genuine rock and roll song ever recorded. "The Fat Man," that drew heavily from a song entitled "Junkers Blues," was recorded in December 1949 in the J and M Studios of Cosimo Matassa, along with seven other tracks. His signature number and established him forever as "Fats" in the mind of his fans. Duly impressed, he quickly signed the young musician to a recording contract and paired him up with Dave Bartholomew of Imperial to write the song that became Lew Chudd, head of Los Angeles-based Imperial Records, was touring the city in search of promising new artists when he happened to catch Domino's act. It was here that he got his first big break. Like them, Domino was inspired by the rich musical styles of New Orleans. By the age of 19 he had become a fixture there, along with prominent New Orleans pianists such as Professor Longhair and Amos Milburn. One of Domino's nighttime jobs was at a New Orleans club called the Hideaway, where he earned three dollars a week. 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